INMATES
NAME: LUCY WHEELER
STATEMENT: THE OBJECTS EXIST TO AGITATE ATTENTION. THE SCENARIOS OF THE PROPS CHALLENGE THE PRE-EXISTING ATTACHMENTS AND PRESENT UNEXPLAINED TRUTHS.
ADDRESS: https://vimeo.com/user48359136
STATEMENT: THE OBJECTS EXIST TO AGITATE ATTENTION. THE SCENARIOS OF THE PROPS CHALLENGE THE PRE-EXISTING ATTACHMENTS AND PRESENT UNEXPLAINED TRUTHS.
ADDRESS: https://vimeo.com/user48359136
NAME: LOIS WILLIAMS
STATEMENT: THE WORK CONSIDERS THE PROLIFERATION OF WEB 2.0 AND THE EXPLORATION BETWEEN SCREEN AND CANVAS. THIS PIECE EXPLORES THE DIGITAL TOOLS SUCH AS MICROSOFT PAINT AND PHOTOSHOP THAT TRY AND MIMIC PAINTERLY GESTURES SUGGESTING THE NEED FOR A DIGITISED FUTURE.
ADDRESS: https://www.instagram.com/l.williamsdesign/
STATEMENT: THE WORK CONSIDERS THE PROLIFERATION OF WEB 2.0 AND THE EXPLORATION BETWEEN SCREEN AND CANVAS. THIS PIECE EXPLORES THE DIGITAL TOOLS SUCH AS MICROSOFT PAINT AND PHOTOSHOP THAT TRY AND MIMIC PAINTERLY GESTURES SUGGESTING THE NEED FOR A DIGITISED FUTURE.
ADDRESS: https://www.instagram.com/l.williamsdesign/
NAME: ZOE WHEELER
STATEMENT: SPACES ARE INHABITED BY PLASTIC FORMS, WHICH ARE INTENDED TO BE PICKED UP AND PLAYED WITH. THE WORK CONSIDERS RELATIONSHIP BETWEEN THE COMMODIFICATION OF THE NATURAL AND THE INTERACTIONS WITH THE PARTICIPANT.
ADDRESS: https://vimeo.com/user2451895
STATEMENT: SPACES ARE INHABITED BY PLASTIC FORMS, WHICH ARE INTENDED TO BE PICKED UP AND PLAYED WITH. THE WORK CONSIDERS RELATIONSHIP BETWEEN THE COMMODIFICATION OF THE NATURAL AND THE INTERACTIONS WITH THE PARTICIPANT.
ADDRESS: https://vimeo.com/user2451895
NAME: GEORGE HILL-BAKER
STATEMENT: PHYSICAL MANIFESTATIONS OF FRUSTRATION AT EARTH CONFINEMENT.
ADDRESS:https://georgehillbaker.wordpress.com/
NAME: INDIA GABB
STATEMENT: THE WORK ENGAGES WITH PERFORMATIVE ACTIVITIES OF INTERACTING WITH THE VIRTUAL PLANE OF VIDEO. THE DECONSTRUCTION OF FILMING PROCESSES MEDIATES THE RELATIONSHIP BETWEEN NATURE AND TECHNOLOGY. ADDRESS: https://vimeo.com/user48449346/videos |
NAME: TED TARGETT
STATEMENT: PART OF A SERIES OF WALL WORKS USING WORDS FROM ADVERTISING CAMPAIGNS TO CONSTRUCT SITE SPECIFIC SENTENCES, IN AN ATTEMPT TO HIGHLIGHT THE UBIQUITOUS NATURE OF MANUFACTURED COMMODITY AND THE CONNOTATIONS WORDS FROM SLOGANS HAVE WHEN REWORKED. THE SENTENCE FOR ‘BEHIND BARS’ IS A RESPONSE DIRECTLY TO THE CONFINES OF THE PRISON,‘FRAGILE DREAMS AND BAD LIVING’.
ADDRESS: https://www.tedtargett.com
STATEMENT: PART OF A SERIES OF WALL WORKS USING WORDS FROM ADVERTISING CAMPAIGNS TO CONSTRUCT SITE SPECIFIC SENTENCES, IN AN ATTEMPT TO HIGHLIGHT THE UBIQUITOUS NATURE OF MANUFACTURED COMMODITY AND THE CONNOTATIONS WORDS FROM SLOGANS HAVE WHEN REWORKED. THE SENTENCE FOR ‘BEHIND BARS’ IS A RESPONSE DIRECTLY TO THE CONFINES OF THE PRISON,‘FRAGILE DREAMS AND BAD LIVING’.
ADDRESS: https://www.tedtargett.com
NAME: MEGAN VISSER
STATEMENT: THE WORK COMBINES THE SENSUAL, JOYOUS AND REPELLENT WITH A COMIC TWIST. IT MERGES REFERENCES FROM FEMINIST CRITIQUE, MEDICAL HANDBOOKS, FASHION MAGAZINES AND WRITINGS ABOUT SEXUAL PRACTICES TO FORM A PERSONALISEDICONOGRAPHY. RECURRING TROPES IN THE WORK COMMENT ON COMMODITY AND ABJECTION.
ADDRESS: https://www.instagram.com/visser.ml/
STATEMENT: THE WORK COMBINES THE SENSUAL, JOYOUS AND REPELLENT WITH A COMIC TWIST. IT MERGES REFERENCES FROM FEMINIST CRITIQUE, MEDICAL HANDBOOKS, FASHION MAGAZINES AND WRITINGS ABOUT SEXUAL PRACTICES TO FORM A PERSONALISEDICONOGRAPHY. RECURRING TROPES IN THE WORK COMMENT ON COMMODITY AND ABJECTION.
ADDRESS: https://www.instagram.com/visser.ml/
NAME: JAMILA KABIR
STATEMENT: THE WORK EXPLORES THE THEMES OF LIMINALITY, A TRANSIENT STATE OF IN- BETWEENESS AND AMBIGUITY. SHE USES LIGHT AS A MATERIAL TO INFLUENCE THE MEDIUM OF PERCEPTION, TO ACHIEVE A BALANCE AND A TENSION BETWEEN OPPOSING ELEMENTS AND TENDENCIES.
ADDRESS: UNKNOWN